Issue Two - snippet | Old school - Make History! | |||
French rap is unique. Since it’s very beginning its lyrics are more politically committed and more involved than in other western countries. American rap conditions can hardly be compared with the situation in France, neither with respect to glorification of violence nor in what concerns disrespect of women. But the French Hip Hop market is one of largest after the US. French rap comes, not to the smallest degree, from the mouth of the third generation of former immigrants, formally French citizens, but effectively discriminated in their own country. If this is one reason why French rap is special, the other is certainly the Chanson. Outstanding oral culture of the “Great Nation”, it provides a common point of reference for artists and fans, be it with affirmative or with critical attitude. French lyrics recall the history of French colonialism and its outcome and talk about the life in the suburbs. They may fight a right wing government or denounce police violence and the dysfunctions of the justice system. Rap reacts on political events and social nuisances. Rap claims the equal application of law, justice and respect. Rather in the tradition of committed Chansons, French rap calls to change things, not to give up but to get involved. |
How did it all begin? The first French rap lyrics ever on vinyl come from a women. Not from the hexagon but from overseas, from New York. On side B of Fab 5 Freddy’s famous old school classic Change the Beat (Celluloid) the New York based singer BEE-SIDE raps 1982 the version of the title song in French. Only some years later the hiphop wave arrives in France with breakdance and graffiti. Among the first successful French rappers are the famous crew IAM from Marseille and MC Solaar from Paris, though their first vinyls are released only at the end of the 80s. At that time, 1987, SALIHA, a young lady from the Paris suburb at Les Mureaux, drops the following statement at a battle in the well known Parisian Funk Disco Chez Roger: “When you are a girl on stage, people regard you with preconceptions and prejudice‚ ‘it’s just a girl‘. (…) As a female rapper you must not be afraid to give all.”(1) Pioneer Saliha breaks the ice for future generations with her two LPs Unique (1992) and Résolument Féminin (1994/Epic/Sony). She appears on the first and most famous French rap compilation ever, Rapattitude I 1990, with Enfants Du Ghetto, where she talks about the bad conditions of life in the suburbs: “How can you accept that a kid / lives less decent than your dog / you’re soaked with indifference and you treat them good for nothing / ... (2) (... more in AM#2) |
|||
|